Diamond Skulls (also known as Dark Obsession) is a British 1989 thriller directed by Nick Broomfield who also co-wrote with Tim Rose-Price. An established documentary filmmaker, this is Broomfield's first work of fiction. It is produced by Tim Bevan and Jane Fraser and stars Amanda Donohoe, Gabriel Byrne and Struan Rodger and has a music score by Hans Zimmer. It includes the last film performance of Ian Carmichael. (slow loading, as are links)
Over the next few days, a psychological war ensues. Peter, Hugo's business associate, wants to use the cover-up to leverage power over the estate. Jamie, who's dating Hugo's sister, wants to go to the police to report it. Hugo's family closes ranks as Ginny and the rest side with Hugo, who fears that his arrest and imprisonment will ruin the family's reputation. As the police investigation closes in on Hugo, the power struggle leads to deadly consequences. When Jamie reports the hit-and-run to the police, they incorrectly assume that Jamie committed the hit-and-run because the car involved was registered to him.
Jamie later crashes a former dinner party that Hugo is throwing at Crewne Hall, the family estate, to try to persuade him to come forward to admit their involvement with the woman's death. But instead, Hugo and Peter, unwilling to give up their livelihoods and to make sure Jamie will never talk to the police or anyone else about the accident ever again, murder him and have their Army regiment colleagues arrange it to look like a suicide--and that Jamie had killed himself out of guilt--by throwing his dead body off a seaside cliff. The police close the case, and the amoral Hugo and all of his friends literally get away with everything as they continue their sordid and unwholesome life undisturbed.
In the New York Times review Diamond Skulls; Aristocracy When It Thinks No One is Looking, Janet Maslin considered that "rarely does a documentary film maker make the transition to fiction as adroitly as Nicholas Broomfield has in Dark Obsession, a psychological thriller displaying a documentarian's fascination for small, telling details." Maslin also praised "an eerie score by Hans Zimmer, a chilling performance by Struan Rodger as Sir Hugo's cold blooded business associate and the unremarked upon inclusion of many odd bits of traditionalism that have presumably made men like Sir Hugo what they are". by Janet Maslin, 7 June 1991
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